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ungalukkaga oruvan movie Information and Other Files?
Country – India
Movie Launge –  Tamil, Telugu
Release Date – 2019
Box Office – Not know
Budget – Unknown
Download 480p,720p,1080p HD

ungalukkaga oruvan movie Storyline Cast Review update More Wiki?
Actor Mahesh Babu is a leading actor in Telugu cinema.  Vijay’s Telugu films ‘Gilli’ and ‘Bokkiri’ were his successful films.  Both these films are remakes from Telugu to Tamil

It is not possible for everyone to convey a theme with a social message in a commercial way that appeals to all sections of the audience.  After Shankar, only a few directors like Murugadoss and Koratala Siva were able to do that formula successfully.  Vamsi Paidipally has shouldered such a heavy responsibility for Mahesh’s twenty-fifth film.  Vamsi Paidipally and his team of writers have done their best to add commercial elements to a good message.  Otherwise, they failed to bring the mixture to the screen so that nothing could stand out and blend together as one.

Action scenes added in the name of commercials are muted.  There are two powerful action scenes but the desired elevation is achieved.  But Vamsi Paidipally put more than necessary action as if it would have been better to put five or six ordinary action scenes instead of one or two powerful scenes.  Thus Maharshi’s run time increased and the necessary emotions were not given enough space.  The journey of the hero character in this film is similar to Srimanthudu, Bharat Ane Nenu.  No matter how many ways it is twisted to make it seem different, it is clear that it is the same thing in the end.

Characterization, message etc. are all well executed but the directors fail to create the ‘connection’ required to be a part of Rishi’s journey.  Rishi looks more like an ‘invincible hero’ than a relatable character right from the start.  Whether a college student or CEO of a corporate company, he has no vulnerabilities.  What’s even more troubling is that… there is no conflict in his story.  Making us wait till the second half to reach the conflict point in the story is a big mistake in terms of screenplay.  Another problem is that the hero has no direct relationship with the conflict, along with delaying the point of conflict.  That connection, conflict should still be at personal levels, like Shrimanthu, Bharat.  But if you do that, you think that the same movies will be made again, the friend angle is highlighted.  In this sequence, the father’s relationship with the hero is not properly established and occupies two or three scenes in the story.

He can get enough drama from his strained relationship with his father, but by limiting that character to just the background, the scenes lacked impact.  Even with the character of the pony friend the connection has to register strongly.  They touched each other and made the audience think that both of them are close friends.  College episodes seem entertaining in the beginning but feel abrupt towards the end.  The episode ends without sufficient reasoning for the two lovers to break up, only to increase the distance between the friends.  The director himself seems to have admitted that the actual story will begin with the interval card saying Rishi’s Journey Begins.

If shades of ‘Three Idiots’ are seen in the college episodes, friendship thread, a super rich man coming to India and fighting for a social cause reminds us of Vijay’s ‘Sarkar’.  The way the role of CEO is used for hero elevations is far from reality.  No matter how big the problem is, the hero overcomes it with ease, and no matter how big the villain is, he says ‘you don’t have a scene’ in the very first scene, then where are the ups and downs in his journey?  Instead of giving space to the main characters, the characters like the farmer, the child, the old woman at the bus stand were written as pay-offs, so the original characters remained dummies… The heroine (Pooja Hegde – did not get a chance to act except to look good), the villain (Jagapathi Babu – getup, character are all whitewashed..  .His beard) including!

And since the key scenes and events in the story are reminiscent of Mahesh’s films, it feels like Maharshi’s journey has already been experienced.  After a gap of four or five films, if Maharshi did it, it would not seem so familiar.  The director could not really maintain a graph in terms of narrative.  If there is a high-giving scene, there are four or five dull scenes as a follow-up, so they could not make this journey seem long.  The run time is also high as it is thought that along with the heavy songs required for the theme, there should also be songs required for the box office.  If the length is shortened by half an hour, the Maharishi’s journey would not be so burdensome.

The last two songs of Devi Sriprasad are heartfelt.  Rishi Ideology’s inspiring words in dialogues and the greatness of the farmers are pleasing.  Rishi’s world looked very rich when three big producers came together.  Mohanan’s camera beautifully captures the beauty of the countryside and the buildings of Manhattan.  They don’t sound all that exciting as Mahesh has already played a richman and then a fighter for people’s issues.  But if you see Mahesh’s energy as a student, you can’t help but feel that Mahesh stays away from such roles.

Looking at Mahesh’s energy levels in the role of a college student, it looks like stuff worth making a full-length film.  There is something new to say about Mahesh’s performance in emotional scenes.  Allari Naresh is convincing in his role.  The director has not given enough space to the rest of the cast.  Jayasudha and Prakashraj in key roles also appear as guest appearances.  Some touching scenes, thought-provoking message, above all Mahesh Babu’s screen presence, performance stands in support of Maharshi, story with ups and downs, unnecessary length, inability to connect commercial elements, message, and many weaknesses mentioned earlier Rishi.  Not impressed.  It takes a bit more stamina for the sage to watch the long journey without cringing.

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